The Tale of Genji from Princesses to PopMain MenuThe Tale of Genji from Princesses to PopCuratorsExhibition ChecklistExhibition MaterialsThe Genji NarrativeNatalie Shilstut325fde59a599e4cd80c804a3a20deb4fe510c3eaTessa Haasusers/Scalar3d81e0e7b05019314ae3c7fd2f02dd56b71491f2Carrie Robbins615680eb6c62151dd186dbf3ed63a15b0ea341eaAlice McGrathb7aea6f9eb931a0b52c3f000b791e5f42278a98f
[D]ay and night Murasaki’s image floated up before his eyes. His longing became so intense that he once more considered bringing her in secret to Suma. But upon further reflection he dismissed the idea. The least he could do while in this sorrowful world was to lessen his sins, he thought, and immediately proceeded to fast and spend his days and nights in prayer and meditation. – Chapter Twelve, “Suma,” The Tale of Genji
CHAPTER 12 Summary
Forlorn poetic associations, from autumn winds to isolated coasts and the brine of the sea, populate the chapters of Genji’s exile, first in Suma and later in Akashi. While pining for his forbidden love Fujitsubo and his beloved Murasaki, Genji meets the Lady Akashi and her father. Although Lady Akashi is unwilling, she becomes involved with Genji at her father’s insistence, giving birth to a daughter. In this woodblock triptych, we see Genji and an attendant walking along the shore of Akashi beneath the full autumn moon. In the right panel of the triptych, we see the Lady Akashi and a companion viewing the moon as well as the scene below